Melbourne International Flower and Garden Show 2013 - 2/2

Artist Statement - MIFGS 2013

From it's very beginnings, the relationship between people and the environment has been central issue in Ikebana. 

Ikebana arrangements are in a sense a symbolic representation of the harmony that can be achieved between people and nature. However it is becoming more and more clear that we cannot achieve harmony with nature without changing our behavior. 

This work, Meditation on Nature, explores the idea of our changing relationship with nature. The abstract forms of the floating bamboo balls and the flowing split bamboo framing the beauty of the floral work suggest the possibility of a rethinking of our interaction with nature.

Sponsorship

Become a sponsor of Shoso to promote your business to over 100,000 visitors to the show. Please contact Shoso by October to discuss several options. Alternatively, you can just leave your advertising materials or business cards in front of our display. We will contact you later. But this is an expensive option.

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Melbourne International Flower and Garden Show 2013 - 1/2

Melbourne International Flower and Garden Show 2013 opened from 20 - 24 March. We worked from 8am to 7pm for 3 days to make a six-metre display. The first photo is taken at the end of day 1, and the second one at the end of day 2. The third one is the completed work on 20 March.

My students of Ikebana worked very hard for this project. Thank you Kaori Okui, Risa Yoshimoto, Angeline Lo and Jo Greenthaner. 

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Ikebana Today 9

A common factor in Japanese traditional art forms is the value placed on traditional forms. New creation is always based on tradition. 

Attitudes to tradition vary in Ikebana. Some schools are very strict about learning traditional forms, others encourage students to create free styles after learning basic forms. In general, however, Ikebana is, unlike the tea ceremony or noh theatre, a malleable art, allowing for change in form easily.

Historically, people who advocated new styles in Ikebana would be soundly criticised  Nevertheless, it is interesting to note that there have always been radical innovators who revitalize and make Ikebana bloom. 

In previous issues, I talked about the Ikebana boom in the Edo period. The most recent boom which occurred after the war was actually the greatest boom in Ikebana history. Ikebana became the most popular hobby among Japanese people. The socio-cultural backgrounds of the people taking up Ikebana in such numbers seem to be quite complicated and nobody has ever looked into the phenomena closely. To understand them, we may need to investigate the fundamental characters of Japanese culture. Such an investigation may suggest some insights into the current declining state of Ikebana. 

While the popularity of Ikebana in Edo period was related to the invention of Seika style, that in Showa period was probably related to Free style. Free style movement advocated to arrange flower freely without following traditional rules. 

 Suido Yamane (1893-1966) was the first to advocate free style Ikebana and Sofu Teshigahara (1900-79) established it and made it very popular. Both of them were radical renovators and consequently were criticised heavily. In the next issue, I’ll talk a bit about how much they were hated in Ikebana world. 

This is the work I made for our group exhibition at Kings Arcade, Armadale. Exhibiting Ikebana works in public is important in terms of promoting Ikebana and providing students with a great learning experience. I also hope to promote the kind of flower culture that we can find in Japan. Compared to Australia, there are so much more opportunities to see flower arrangements in Japan. I hope there will be more flower related events here. Please see our students’ exhibition on YouTube. There are links to the videos on my site. 

http://ikebanaaustralia.blogspot.com.au/2013/02/ikebana-exhibition-2012-by-shoso-shimbo.html

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Distilling Nature - Shoso's Exhibition - Feb 2013

Enjoy Shoso's solo exhibition in 3 min on You Tube.
Artist statement:
List of works:

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Ikebana Today 8

So far I have talked about how hard it is to do business with Ikebana. Since Ikebana can never promise financial rewards in the future, it can never be as popular as Western flower arrangements. Many TAFE colleges in Australia offer courses to become florists. But not many people know about Ikebana.

As to the display works, the market generally requires arrangements that are quick to install, cheap and colorfully attractive. I have to admit that the Western flowers are much better suited to such need. 

The clients for Ikebana are those who have a discerned taste and cannot not be satisfied with Western flowers. However, the number of them is rather limited, in particular outside Japan.

Generally Ikebana artists overseas are teaching a small number of students and their income from Ikebana does not reach the taxable amount. As far as I know, there are few truly professional Ikebana artists. 

Can we change Ikebana a bit so that it can adjust to the capitalistic society? I think that is possible and I do have some business plans. However, making Ikebana into business does not come to the top of my priority list at the moment. 

As one of a very few Ikebana artists who are registered as a professional artist under the Australian taxation law, there is one thing that I can say about Ikebana and business. That is there is a huge difference between commercial Ikebana works and Ikebana works as hobby. Not many people seem to realize the difference.

I happened to know probably the most famous and commercially successful Ikebana artist in Japan. I can appreciate his works only when I see them as commercial works. 

I have so far talked about anti-competitive and anti-capitalistic natures in Ikebana. The third characteristics of Ikebana I would like to focus is its malleability. Ikebana can change its form flexibly and it has been so in its five hundred years history.              

I created a naturalistic arrangement this month using Hydrangea and Jasmine from my garden. I used cross bar fixing method for this work.

My solo exhibition opens at Gallery D1.12, MADA, Monash University, Caulfield East between 10am to 4pm on 5, 6, 7 February 2013. Please come and see it.  

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Shoso Shimbo's Exhibition

Please come to Shoso's solo exhibition at Monash University. This is to complete his Master of Fine Arts Degree. Click the invitation to enlarge.

Enjoy the show in 3 min. in YouTube Video.
http://shososhimbo.blogspot.com.au/2013/02/distilling-nature-shoso-shimbo-feb-2013.html

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Gift Ikebana Flower

A client asked me to make a welcoming flower for his girlfriend who is moving to his house. His girlfriend likes Ikebana and he thought Shoso's work would be an ideal gift.

I chose white and green for main colour suggesting a new beginning and pale pink lilies and roses for their romantic and happy relationship.

Gift Flower Price List: http://bit.ly/1l0qrzW

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New Year's Deco (Kadomatsu Style)

Kadomatsu style New Year's table decorations for Koko restaurant, Crown Hotel, Melbourne. We have tried so many options and changed so many details. Although our resources were limited, three types of Washi (Japanese paper) were used including special Chiyogami from Kyoto. Finally we are happy with this design and so was our client.  

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Ikebana Today 7

Some ikebana artists may wish ikebana to be as it used to be. The tuition fees can be expensive and teachers receive gift money on many occasions. What’s more, your works are never criticized and you gain respect in society.

However, the reality is that society is becoming more and more secular. Less people are spending money on their hobby arts or spiritual activities. This is a hard environment for ikebana artists.

If my hypothesis is right, there would be two conditions under which ikebana would be able to revive itself as a hobby art today. The first is to increase the general public’s interest in spirituality. The second is for ikebana to be widely recognized as a spiritual art. 

As to the former, there is always a potential need for spiritual activities even in a secularized society. How about the latter? How can we promote ikebana as a spiritual activity? Are there any ikebana artists who can be role models? Can you meet inspiring people in an ikebana class? Are all ikebana teachers are polite, cultured and spiritual? These are the questions that all ikebana practitioners have to think about.

The International Society of Ikebana Studies (ISIS) was founded last year. The founding members include Dr Osamu Inoue (Kyoto University), Dr Zenho Kobayashi (Kyoto Women's University), and Professor Toyoaki Watanuki (Tsukuba University). I have been appointed as a Director of ISIS. This will be a very significant organization in ikebana history. The spiritual side of ikebana will be an important aspect for ISIS to look into. http://ikebana-isis.org/

I have suggested this time that the spiritual aspect of ikebana may be getting lost today. There is a person who played an important role in lessening the importance of the moral and religious aspects of ikebana and transformed it to what it is today. I’ll talk about him sometime soon.

For the New Year’s issue I chose a bright work using yellow dancing lady. Please download from my website a free ikebana calendar for 2013 using this image. 

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Ikebana for Home Parties

We have several packages of Ikebana arrangements for your home party. A popular package consists of 1 medium arrangement (up to 150cm high) and 2 table arrangements.

Visit our Gift Shop page for more details. http://www.shoso.com.au 
Price List: http://bit.ly/1l0qrzW (2Mb)

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Toyota Sculpture Exhibition 2012: Column by Shoso

Shoso's Ikebana sculpture was again selected for this renowned contemporary art exhibition. 

Thank you all volunteers and Shoso's students who helped to make this 9m tall work. We also thank Red Cloud Bamboo for providing bamboo branches.  

When: 27 November 2012 to March 2013
Where: Toyota Australia, 155 Bertie Street, Port Melbourne
http://www.watcharts.com.au/toyota.html

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Ikebana Today 6

In a previous issue, I proposed that one reason for the declining popularity of Ikebana could be that its history as an artistic hobby is not compatible with capitalism. In short, you cannot make money with Ikebana. 

Some people might say, “What’s wrong with that?” Others may say, “Why can't we change Ikebana?” Rather than getting into an argument about such issues, I would like to focus more on what Ikebana is today.    

Normally Ikebana artists gain some income from teaching and creating displays. Teaching is usually the main source of income, but there are few teachers, especially outside of Japan, who can make a living from teaching Ikebana. 

There are not enough students who keep studying for a long period of time. Very few students study Ikebana long enough to become aware of its spiritual aspect. Tuition fees are much cheaper here than in Japan but some students are still not happy. After all, Ikebana cannot promise any financial reward in the future, which makes Ikebana less attractive for some students.

There is another negative factor in teaching Ikebana outside Japan, which I mentioned last time. In Japan learning Ikebana used to be a status symbol to show your financial and personal status. 

In many societies, including Japan today, money is valued more than personal growth or spirituality. In these circumstances, it is hard for Ikebana to be popular, even if you promote it as a way of self-cultivation. We have to realize that the declining popularity of Ikebana is related to the global trend of secularisation.    

I made this hanging arrangement for CRYOSAUNA in Richmond. I recycled kiwi vine which was garden waste. The whole arrangement is attached to a nail on the wall using florist wire. This is a slightly abstract Christmas display full of the spirit of Ikebana.    

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Free Calendars

Download free ikebana calendar 2013 and December 2012.
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Ikebana Today 5

In my discussion of the second characteristic of Ikebana, I pointed out the reason why Ikebana does not fit in well with capitalism is probably because it is essentially a hobby. It is not training to enhance a career, but a graceful way of spending money. In short, if you want to earn money, learn Western flower arranging, and if you want to spend money happily, learn Ikebana. 

Let’s look at Ikebana from the historical point of view. Ikebana started as a Tatebana (standing flower) style in the Muromachi period (1336-1573). It developed into the grander Rikka style early in the Edo period (1603-1867). During the mid to late Edo period, a simplified Seika style with the heaven-earth-person design principle became very popular. Development of the Seika style was significant in Ikebana history. With the stabilization of society in the Edo period, a wealthy social class emerged and they started to enjoy hobbies. The simplified Ikebana, Seika, was the perfect choice for them to learn. 

But that does not fully explain why Ikebana became suddenly so popular in Japanese society at that time. An important factor was the Japanese respect for spirituality. There was a strong demand for activities that satisfied spiritual needs. Ikebana was seen as a spiritual training that brought personal growth. 

What we need to understand here is that people with money or power were not automatically respected in Japan. What really mattered was their spirituality. This fact is often overlooked as a key aspect to understand Japanese traditional culture and its history.

Why did so many samurai lords take up tea ceremony during civil war period (1467-1573)? Because regardless of your power you were not respected if you didn't know the spiritual art of tea. This is evidence that even during war periods, Japanese people valued culture and spirituality more than economic power. We used to have quite an honorable culture.

Back to Ikebana, Ikebana became very popular not only because of the newly developed simplified style but also because there was a culture that valued spirituality.

This is a work I made for Hanabishi restaurant. If you would like to have my work for your business, please contact me. And another advertisement: my work was selected for the 2012 Toyota sculpture exhibition. Please go and see it. 

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Ikebana Today 4

I have said previously that at first glance Ikebana does not seem to be a competitive discipline. Competition in Ikebana tends to occur in informal ways, which some may find hard to deal with.

Another characteristic I would like to focus on now is the fact that Ikebana is not compatible with today’s business world. This may be a factor in the decline in the popularity of Ikebana.

If you finish a course in the Western floristry, you can use that qualification to work for a florist or to start your own business. However, there are very few opportunities for those who have completed an Ikebana course. Ikebana is not interested in the needs of the market. This is not necessarily a bad thing. I just want to clarify what Ikebana is.

To better understand this aspect of Ikebana, we need to look into the historical development of Japanese art. There are two main streams in Japanese art forms: misemono (show) and yugei (hobby art). 

The former includes dance and kabuki. Professionals perform to meet the clients’ needs. This form of show business is very popular all over the world today. 

The second stream may be a bit harder to understand because it has some uniquely Japanese aspects. Basically it is a hobby for wealthy amateurs. It requires hard training to achieve a certain level of art, which may not necessarily be appreciated by the public. It is often regarded as a kind of spiritual training and has developed under the iemoto system. 

The interesting thing is its unique financial system. In the next issue, I’ll discuss the financial aspect of Ikebana that is based on the same system as yugei, and how this feature of Ikebana is the major factor that makes it hard for Ikebana to adjust to the contemporary capitalistic world.   

These are table arrangements I made for Ms Renouf. This is a Western arrangement using Ikebana principles. My clients often request flowers that I have never thought to use for my own works. That is a challenging and interesting aspect of making commercial works. I used oasis to fix red earthy colored roses and wax flowers. 

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