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Monday, 20 June 2016


Thursday, 9 June 2016

Ikebana for Design Institute of Australia


To welcome nation's top designers & design journalists, Shoso Shimbo created an Ikebana sculpture for a Design Institute of Australia's event, In conversation with Piero Gesualdi at Mondopiero, 28 Brunswick St, Fitzroy, Melbourne.
http://www.design.org.au/events/event/dialoguepm-in-conversation-with-piero-gesualdi

Shoso reused the burnt timbers he collected for the Wye River Project 2016. The other materials are succulent and wisteria vines.
http://www.shoso.com.au/2016/04/wye-river-project-4.html

Shoso's this work will be on display at Mondopiero until the end of June 2016.

http://www.shoso.com.au
https://www.facebook.com/ikebanaaustralia

Wednesday, 8 June 2016

Sunday, 5 June 2016

Ikebana Today 47


I ‘d like to summarise what I have been writing about Ikebana and art. Their relationships became particularly interesting for me in studying the two periods: from 1920’s to 1950’s and current. 

Ikebana has been influenced significantly by Western art in the birth of free style Ikebana in the 1920’s and its boom after the war. Generally Ikebana is regarded as a Japanese traditional art form, but it would not be what it is today without the influence of Western art. How the notion of Ikebana as Art influenced the creation of free style Ikebana and how it was perceived by Japanese during the Ikebana boom, which claimed Ikebana as art, are fascinating topics for further research. I’d like to welcome such research for our journal, International Journal of Ikebana Studies.

Also I’m interested in the relationship in pursuing my own art practice. How can I make Ikebana effective in the context of the contemporary art is a crucial issue for an Ikebana artist as well as a contemporary sculptor. An interesting artist for me is again Takashi Murakami, who made Manga effective as an art form in the context of contemporary art.  

In this issue, I would like to show my table arrangement for the Victorian government. When they had a special dinner inviting Japanese guests, they chose my works. I asked Mr Hanashima to create 15 bamboo containers and used florist form to fix the flowers.

http://www.shoso.com.au 
https://www.facebook.com/ikebanaaustralia


Saturday, 4 June 2016

Monday, 30 May 2016


Sunday, 29 May 2016

Friday, 27 May 2016


Tuesday, 24 May 2016

Ikebana Performance at the Snow Travel Expo Melbourne 2016


Japan Foundation sponsored Shoso Shimbo's Ikebana performance at the Snow Travel Expo 2016 in Melbourne.  This was Shoso's second Ikebana performance in May 2016 and he used a very different approach here from his first performance. http://www.shoso.com.au/2016/05/ikebana-performance.html   

http://www.shoso.com.au 
https://www.facebook.com/ikebanaaustralia

Thursday, 19 May 2016


Monday, 16 May 2016


Wednesday, 11 May 2016

Ikebana Performance






The Way of the Flower: Stillness in a World Gone Mad

Shoso Shimbo presented Ikebana performance with Ann Norman (Shakuhachi)  and Brandon Lee (Koto) as part of Matsudo Week.
When: 8pm, Friday 6 May 2016

Where: Box Hill Community Arts Centre, 470 Station St, Box Hill, Victoria 


Ikebana means "to bring flowers to life". Flowers in the fields are alive and in harmony with nature, but once they are cut, separated from nature, they are dying biologically as well as symbolically. Ikebana artists’ job is to give the dying flowers new life. This can't be achieved by simply copying nature. Through a wholistic engagement with the flower, the Ikebana practitioner tries to access the essential life force of the flowers on many levels, physically, psychologically and spiritually. This collaborative process with nature is always thrilling and healing. In this performance I would like to share with the audience the meditative process of creating the work as much as the end product. 

http://www.shoso.com.au 
https://www.facebook.com/ikebanaaustralia

Monday, 2 May 2016

Ikebana Today 46


I have been writing about the relationship between contemporary art and Ikebana. A key question is whether Ikebana can seek meaning through its contexts like contemporary art can. Probably there is no right answer to this question and there may be many answers.

One of the most important aspects of context is that it goes with critiques. An example is in academic discourses. A great number of PhD students every year study contemporary art for their thesis.
On the other hand, very few academic papers on Ikebana have been published. In terms of critiques, there is no comparison between Ikebana and contemporary art. It seems to be obvious that Ikebana cannot seek meanings like contemporary art does.

Nevertheless, I would like to seek the possibility of Ikebana being effective in the context of contemporary art.

This is one of the 2 works I made for the Wye River Project as part of the Lorne Sculpture 2016. I transformed my sculpture into Ikebana by adding flowers. While my sculpture demands viewers to use imagination to appreciate it, I feel my Ikebana is appealing more directly to the senses of the viewers. Compared to contemporary art, Ikebana may expect its viewers to be more passive. That was one of a few things I noticed this time.

http://www.shoso.com.au
https://www.facebook.com/ikebanaaustralia

Friday, 22 April 2016


Monday, 18 April 2016


Saturday, 16 April 2016


Sunday, 10 April 2016


Saturday, 9 April 2016